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  4. Wilhelm Ostwald’s Combinatorics as a Link between In-formation and Form
 
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Wilhelm Ostwald’s Combinatorics as a Link between In-formation and Form

Citation Link: https://doi.org/10.15480/882.1095
Publikationstyp
Journal Article
Date Issued
2012
Sprache
German
Author(s)
Hapke, Thomas  orcid-logo
Institut
Universitätsbibliothek TUB  
TORE-DOI
10.15480/882.1095
TORE-URI
http://tubdok.tub.tuhh.de/handle/11420/1097
Journal
Library trends  
Volume
61
Issue
2
Start Page
286
End Page
303
Citation
Library Trends, Volume 61, Issue 2, Fall 2012, pages 286-303.
Publisher DOI
10.1353/lib.2012.0041
Scopus ID
2-s2.0-84873930053
The combinatorial thinking of the chemist and Nobel laureate Wilhelm Ostwald grew out of his activities in chemistry and was further developed in his philosophy of nature. Ostwald used combinatorics as an analogous, creative, and interdisciplinary way of thinking in areas like knowledge organization and in his theory of colors and forms. His work marginally influenced art movements like the German Werkbund, the Dutch De Stijl, and the Bauhaus. Ostwald’s activities and his use of spatial analogies such as bridge, net, or pyramid can be viewed as support for a relation between information — or “in-formation,” or Bildung (education, formation) — and form.
Subjects
Informationsgeschichte
Ostwald, Wilhelm
combinatorics
information
research methods
information history
Lizenz
http://doku.b.tu-harburg.de/doku/lic_ohne_pod.php
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