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  4. Combinatorics and order as a foundation of creativity, information organization and art in the work of Wilhelm Ostwald
 
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Combinatorics and order as a foundation of creativity, information organization and art in the work of Wilhelm Ostwald

Citation Link: https://doi.org/10.15480/882.331
Publikationstyp
Technical Report
Date Issued
2008
Sprache
English
Author(s)
Hapke, Thomas  orcid-logo
Institut
Universitätsbibliothek TUB  
TORE-DOI
10.15480/882.331
TORE-URI
http://tubdok.tub.tuhh.de/handle/11420/333
Publisher Link
http://www.analogousspaces.com
The physical chemist and 1909 Nobel laureate Wilhelm Ostwald (1853-1932) developed broad and multifaceted interests in philosophy (of nature), history (of science) as well as color theory and the international organization of scholarly work. Applying combinatorics, which grew out of his philosophy of nature and which was viewed by Ostwald as a basis for creativity, Ostwald developed a theory of forms and colors. His work influenced marginally the activities of such movements in art like the German Werkbund, the Dutch De Stijl, and the Bauhaus. This poster upports a today more and more visible connection between "in-formation", education as well as art and design.

Poster at the conference "Analogous spaces - architecture and the space of information, intellect and action", 15-17 May 2008, Ghent University, Belgium. (http://www.analogousspaces.com)
Subjects
Wilhelm Ostwald
creativity
combinatorics
order
Lizenz
https://creativecommons.org/licenses/by-sa/2.0/de/
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