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Item type:Publication, Access status: with files , Auditorische Signaturen von Zeitanomalien im Film: Von Notting Hill bis TenetPublicationtype: Book Part11 16 - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Access status: with files , Die wundersamen Zeitexperimente des Michel Gondry: vorfilmische Zeit und small spaces im MusikvideoPublicationtype: Book Part12 17 - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Access status: without files , De-Fiktionalisierung und De-Faktualisierung: Strategien der medialen Darstellung von realen Robotern am Beispiel von Boston Dynamics und Hanson RoboticsThe rapid advancements in artificial intelligence (AI) and robotics increasingly raise questions about the roles these technologies will play in our daily lives. Public understanding is significantly shaped by media representations that influence our perceptions of AI and robots. Historically, these perceptions are deeply rooted in a tradition of fictional narratives, ranging from ancient myths to modern science fiction. These cultural narratives serve as a collective memory, shaping how contemporary technological developments are received. Simultaneously, non-fictional representations, such as journalistic reports, advertising campaigns, and social media content, also play a crucial role in constructing the public image of AI and robotics. In particular, videos purporting to showcase the real capabilities of robots raise questions about their authenticity and the economic motives behind these portrayals. This paper examines two strategies of media representation that deliberately blur the boundaries between fact and fiction: de-fictionalization and de-factualization. Both concepts aim to complicate the audience's ability to distinguish between reality and fabrication, warranting critical scrutiny. Through the analysis of these strategies, this study highlights how they shape the perception of robots and AI and explores the challenges they pose for media studies research and societal discourse.Publicationtype: Book part36 - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Access status: without files , Prinz Edward, Herzog von Windsor, mit seiner Gattin - Henri Cartier-BressonPublicationtype: Journal Article16 - Some of the metrics are blocked by yourconsent settings
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Item type:Publication, Access status: without files , 79 - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Access status: without files , 78 - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Access status: without files , 300 - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Access status: without files , Zum Teufel mit den Kohlen! : Monetäre Romantik im US-amerikanischen Kino der 80er und 90er JahrePublicationtype: Book Part72 - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Access status: without files , Als Rambo nach Istanbul kam : die Remake-Kultur der türkischen Filmindustrie ‚Yeşilçam‘Publicationtype: Journal Article304